Oval copper plate with a portrait of Prince Charles Edward Stewart in oils, 17th or 18th century

One of a collection of Jacobite relics amassed by Sir John Hynde Cotton and his descendants - an oval miniature, oil on copper, of Prince Charles Edward Stuart, c. 3 years old

One of a collection of Jacobite relics amassed by Sir John Hynde Cotton and his descendants - an oval miniature, oil on copper, of Prince Charles Edward Stuart, c. 5 years old

Framed painting, portrait of Lieutenant James Irving, 1st Bengal Cavalry, oil, by Rajah Sansome, India, 1839

Painting of a Lowland Wedding or Village Dance, oil on canvas, after de Witt, late 17th century

Painting entitled 'Still Life with Roses and Fan', oil on canvas, by Samuel John Peploe, c. 1920 - 1925

Painting of Orkney and Shetland sheep, including a black and white, or piebald ram from Eynhallow, a ewe from Rousay and a black lamb, cross bred with a pure Cheviot breed, oil on canvas, by William Shiels, c. 1835

Portrait of the Honourable William Fullerton Elphinstone (1740-1834) of the British East India Company, oil on canvas, artist and date unknown

'The Messenger', panel of kiln-cast glass, wood, resin and oil paint, depicting a window pane with a male face: Mark Bokesch-Parsons, Bloomington, Illinois, USA, c.1998

Painting entitled, 'The Caravan Going West', oil on canvas: American, Texas, Houston, by Vivian Edge, 1999

Painting entitled Jean Muir Checking Buttons, oil on board, Jean Muir is depicted in the foreground, checking buttons, while two of the four models fly out of the window, Harry Leuckert, wearing glasses, looks in through a door: Anthony Green, 1979

Framed painting in shades of red, pink, green and purple in oil paint and black chalk or charcoal, image abstracted from photograph of an Iresine plant, the fourth of seven related images in different media, produced in the development of the Lanzarote pattern: Scotland, Galashiels, by Bernat Klein, 1979

Painting entitled 'Autumn Trees', painted in oil with impasto technique, abstract image made up of overlapping squares and rectangles in shades of grey, brown, orange and red with some yellow and one purple square, painted onto prepared linen canvas, signed at the lower right corner 'BK 64': British, by Bernat Klein, 1964

Painting entitled 'Tulip 2', in oil painted with impasto technique, abstract image of a tulip made up of wide overlapping strokes in shades of orange, red, yellow, purple, green, white, pink and blue, on board: British, by Bernat Klein, 1962

Painting entitled 'Seascape', in oil painted with impasto technique, abstract interpretation of a land and sea view, in shades of green, blue, brown, yellow and cream, on board: British, by Bernat Klein, 1963

Painting entitled 'Chartreuse Vortices', collage in oil painted with impasto technique with textile components, abstract image in shades of blue, green and brown, incorporated textile components include Bernat Klein velvet ribbon tweed, woven wool and yarn samples, on canvas: British, by Bernat Klein, 1967 - 1968